![]() ![]() These people’s crimes are the dumbest yet for a Saw movie. The only way to escape alive is to cut off enough flesh to dump on a scale, outweighing the other. There are two people in connecting rooms and one will live while the other will die. The opening of the sixth installment showcases the wrong way to make a Saw movie. ![]() Everyone else in the cast fills their functional roles functionally, and the assorted victims die real good, with Francois Dagenais, another SAW stalwart, ladling on plenty of convincing gore… read more Russell is similarly more focused than in her last go-round, while Bell brings his dependable moral-in-his-own-mind menace to Jigsaw’s appearances and Outerbridge makes for a convincingly slimy and deserving target of torment. He also coaxes a better performance out of Mandylor, who was simply stolid in his previous turns as Hoffman but here actually dials up the intensity a bit. While the SAW franchise is akin to the James Bond films in that it seemingly requires its directors to hew to a house style rather than go off in distinctive directions, Greutert’s background in the cutting room is evident in SAW VI’s brisker pace than its immediate predecessors. Maybe that’s good advice for all of us Saw fans, because you’ll appreciate this film a lot more, with all of the subplots fresh in your mind…read more If you’re late in this game, go back to the beginning. Saw VI won’t win over any newbies, but it doesn’t have too. We get questions answered, which should please the long time fans, and tells a sick little moralistic tale that goes back to the origin of Jigsaw. Marcus Dunstan and Patrick Melton make Saw VI into a caper for the previous films, finally answering some long wondered questions, while juggling an interesting solo story. One of the complaints of the last few sequels, were people felt each entry was incomplete because the film’s would leave plot points left unanswered. Saw VI is a very satisfying sequel for a handful of reasons. ![]() I really don’t want to talk about the plot, because if you’ve seen a few of these films, then the point of how to have fun with them is the twists and turns of the stories. It would be a helluva lot more entertaining than watching his uber-secret second protégé (Mandylor, Mandylor, Costas Mandylor) tiptoe around the events of the previous films, which was all that the abysmal Saw V really had to offer…read more Somewhere within the Saw universe’s ridiculously convoluted back story is a film showing how the dying “Jigsaw Killer” John Kramer ( Tobin Bell) won the lottery, set up corporate offices, and hired legions of worker elves to build a “torture district” the size of Disneyland. Has there ever been a movie franchise as user-friendly as the “Saw” films? “Saw VI,” the latest installment, may have a new director ( Kevin Greutert), but the writers Marcus Dunstan and Patrick Melton, collaborating on their third consecutive “Saw,” make sure that it’s as customer-service-oriented as ever. ![]()
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